Posts Tagged: thrice


16
Sep 09

Beggars (2009) by Thrice

Beggars Thrice

Thrice
Beggars

2009, Vagrant
alt rock, post-hardcore
5

If I were to crown any modern band as Most Surprising With Every Album They Put Out, Thrice would be it. Listening to their earlier albums, one doesn’t expect anything remotely close to brilliance from them. Yeah, they’ve always had a great sound and yeah, their lyrics have always been rife with meaning (unlike most so-called ‘rock’ bands), but I’ve been so disappointed before that it’s hard for me to actually hope for something great anymore. Thrice did that with Vhiessu, then The Alchemy Index, and now with Beggars.

Lyrically, this is the strongest that Thrice has ever been, and that’s really saying a lot considering how lyrically evolved Alchemy Index was. I really urge you to Google the lyrics for the album and just read through them before you listen to the music. It will give you a whole new perspective on the band and on the album. Vocally, lead singer Dustin Kensrue pushes his limits, which is a FIRST – listen to “Wood & Wire” and “At The Last.” As a band, their music is continually evolving, turning more melodic with each record than remaining in the same post-hardcore rut. This is a revelation and a whet to the aural appetite, all at once. I want these guys to be making records for the rest of eternity if we expect pleasant surprises like this one.

“At The Last,” “Doublespeak,” “Wood & Wire.”
myspace, last.fm
Brand New’s The Devil and God…, The Receiving End of Sirens’s The Earth Sings Mi Fa Mi

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24
Mar 09

The Fierce and the Longing (2008) by Audrey

The Fierce and the Longing by Audrey

Audrey
The Fierce and the Longing

2008, A Tenderversion Recording
indie pop
4

I’m not very familiar with shoe-gaze, but I’m pretty sure that Audrey is as close as I’m going to get to it. This [country] band is all-female and all suave femininity. Interestingly, all four women in the band share vocal duty equally, which is quite rare.

Their smoky voices and coffeeshop-esque post grunge is refreshing at first but gets old quickly. Why? Because there is nothing happy about this album, lyrically or sonically. It’s so moody that it’s difficult to get through this in one sitting, let alone on multiple repeats. But its beautiful depression makes it all worth it by the end.

“Big Ships,” “Horses are Honest,” “Northern Lights.”
myspace, FREE DOWNLOAD @ last.fm
Stephanie Dosen’s A Lily For The Spectre, Thrice’s The Alchemy Index, Vol. 3

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4
Feb 09

Speak For Yourself (2005) by Imogen Heap

Speak For Yourself by Imogen Heap

Imogen Heap
Speak For Yourself

2005, Megaphonic/RCA Victor/Sony BMG
electronic, alternative pop
5

In this sophomore album, Heap has opened an entirely new auditory world to her listeners. Speak for Yourself features songs that are as elegant as they are sprawling, and as controlled as they are rebellious. Her use of multi-layered effects, one of which is her slightly imperfect but distinctive voice, immerses you until you can’t focus on anything but what you hear.

Heap’s lyrics are just as imperfect as her voice. In fact, they remind me of poetry. At first or second (or infinite) listens, they sound almost nonsensical and disjointed, but everything fits together perfectly. From the haunting acapella of “Hide and Seek” to the sweeping “Closing In,” this one album and one artist you will never forget.

“Hide And Seek,” “Headlock,” “Clear The Area.”
myspace, last.fm
Thrice’s The Alchemy Index, Vol. 2, Radiohead’s In Rainbows*

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