Posts Tagged: the story


21
Jun 09

This Is Somewhere (2007) by Grace Potter and the Nocturnals

grace potter and the nocturnals this is somewhere

Grace Potter and the Nocturnals
This is Somewhere

2007, Hollywood Records
country, rock
4

On first listen, Grace Potter and the Nocturnals come off as yet another band in the wave of modern country bands that have a female lead vocalist and plenty of fake twang (as in, ‘faker-sounding-than-most’) and wannabe-tough attitude. But what really stands out about this band, and lead singer Grace Potter herself, are the quieter moments in This is Somewhere that hint at a pop flavor.

This is Somewhere is the band’s third album and second major-label record, which is obvious in the slickly-produced songs obviously geared to a pop-country audience. But there are some sexier rock elements in “Ah Mary” and “Big White Gate” that will rivet you to this album. It’s been a while since we’ve had strong, gritty female voices in rock and Potter fills that void with a voice that will never be renowned for its octaves but will be remembered for its honesty. And when that honesty comes out in full force in “Falling or Flying,” we listeners are left with a singer and her ballad, which is precisely where Grace Potter and the Nocturnals really shine.

“Big White Gate,” “Falling or Flying,” “You May See Me.”
myspace, last.fm
Amy Macdonald’s This is the Life, Brandi Carlile’s The Story

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10
Dec 08

The Story (2007) by Brandi Carlile

Genre: folk rock
Rating:
“Again Today,” “Josephine,” “Losing Heart,” and “The Story.”
myspace, last.fm
Catherine Feeny’s Hurricane Glass, Amy Macdonald’s This is the Life

With a voice that evokes comparisons to Melissa Etheridge and Stevie Nicks and songs that are richly lyrical, it’s little wonder that I fell in love with Brandi Carlile at first listen. She is truly a ‘voice of a generation,’ even if that generation could be better compared to the 1970s than the early 2000s. Regardless, I found myself moved not only by her mastery of her vocal talent, but by the underlying hint that she doesn’t take herself as seriously as most female singer/songwriters do.

This album, in itself, is a dream. Most of the songs have to do with lost love, but even those songs are versatile enough to apply to nearly anything in life. What’s also surprisingly versatile is Carlile’s voice. Etheridge and Nicks are better known for their screams and voice, respectively, but Carlile carries a harmony like no one’s business and manages to do it well. Had she imitated Catherine Feeny and kept her voice at a monotone, this album would have surely suffered for it. But she doesn’t seem capable of it, so songs that should be boring are rich with life. This is yet another amazing discovery in the ever-changing folk rock scene of today.

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