Posts Tagged: the killers


21
Jan 09

Perfect Symmetry (2008) by Keane

Perfect Symmetry by Keane

Keane
Perfect Symmetry

2008, Island Records
pop, alt rock
3½

Despite its title, Perfect Symmetry lacks any real musical or lyrical symmetry. The first half of this album sounds liked an overdose of ridiculous 80′s pop, while the second half is darker and slightly less pop-ish. Lyrically, the first half is more of the typical pop inanity the we’ve learned to expect from Keane. The second half, however, is more introspective and seemingly more honest.

Is the titlePerfect Symmetry meant to be ironic? If so, Keane barely succeeded because there is no clear question or answer anywhere in this record. Even the introspective moments are hardly any different than what we’ve heard in their debut. It seems Keane is still trying to break away from their Coldplay stigma, but they’re going about it the wrong way. Here’s a hint: in this genre, new lyrics make a bigger impact than old-made-new sounds.

“Love Is The End,” “Perfect Symmetry,” “Pretend That You’re Alone.”
myspace, last.fm
Keane’s Under The Iron Sea, The Killers’s Day & Age

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9
Dec 08

Day & Age (2008) by the Killers

Genre: alt rock
Rating:
“A Dustland Fairytale,” “Joy Ride,” “Spaceman,” and “A Crippling Blow.”
myspace, last.fm
Tiger Lou’s The Loyal, Cinematic’s A Strange Education

Coming from the Killers, Day & Age is a mix of both the old and new. They’ve fully grown into their unique mix of Southwest-folk-set-to-electro-pop and allowed that confidence to show in their lyrics. So instead of the superficiality of their debut Hot Fuss and the confusion of Sam’s Town, The Killers are far more coherent (isn’t that an oxymoron?) and thus more interesting. Day & Age still extols the gawdy glories of Las Vegas, but the listener gets some fascinating glimpses at the personalities that make up the band underneath all the noise. “Losing Touch” is a surprising song to start the album with, but well worth the insight.

I already feel like this review is bare for the grandiosity that is this album, but I’ll sum it up in as few words as possible: The Killers are back and making a little more sense than usual.

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