Posts Tagged: rilo kiley


4
Mar 09

All I Ever Wanted (2009) by Kelly Clarkson

All I Ever Wanted by Kelly Clarkson

Kelly Clarkson
All I Ever Wanted

2009, RCA
pop/rock
3½

All right, I had to give in and review this one. This is Kelly Clarkson’s big comeback from the disaster that was My December, and she does a decent enough job. If you buy this album you’re not buying it for the lyrics so I won’t even mention them. But I have two points that I feel need to be brought up: Kelly clearly worked on her vocals since My December, and she’s clearly ‘sold out’ in an effort to make it big.

I’m one of those people who can’t stand it when music snobs point fingers and accuse artists of ‘selling out’ the minute they get signed on a big record label, so when I accuse Clarkson of doing so here, I’m not referring to that. What I am referring to is the utter lack of ‘Kelly Clarkson’ in this album. In an effort to recoup her losses from My December, Clarkson has made the same mistake that Gwen Stefani made in Love.Angel.Music.Baby – using too many different writers. As a result, All I Ever Wanted is essentially a bunch of singles that reflect their writers and don’t really say anything about Clarkson. Case in point: I was able to distinguish every single song that was co-written by Ryan Tedder (of OneRepublic fame) on the first listen.

On the other hand, Clarkson’s vocal chops are more than up to the challenge of changing with every song, which is pretty amazing. I don’t think we’ve ever had a chance to see her vocal range in this way, and despite all of my mutterings, she’ll probably be laughing all the way to the bank with this one. At least we still have someone in pop who can sing.

As a side note, will someone teach this girl how to NOT look like a robot on her album and single covers?

“Already Gone,” “Don’t Let Me Stop You,” “Impossible.”
myspace, leaked on mtv.com
Rilo Kiley’s Under The Blacklight, Duke Spirit’s Neptune

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10
Dec 08

Under the Blacklight (2007) by Rilo Kiley

Genre: folk, alt rock
Rating:
“The Angels Hung Around,” “The Moneymaker,” “The Blacklight,” and “Dreamworld.”
myspace, website
Surgarcult’s Lights Out

As this album was my first introduction to Rilo Kiley, I almost immediately dismissed it as yet another album by yet another band who despises Los Angeles. It’s a miracle that city doesn’t have a complex about it yet, considering the rate that ‘indie’ music is growing. After listening to Rilo Kiley’s older works, I’ve only softened a little towards this album because of the versatility of Jenny Lewis’s voice and the intriguing song arrangements. Otherwise, much of it is still pretentious ‘we hate L.A.’ trash.

Lewis’s voice takes on a soft crooning one moment, shifts to a sexier, breathier croon, and then typifies smooth pop. It’s confusing and exhilirating to follow her through this odd journey as the album goes on, but as she’s the great equalizer here it’s easy to follow her wherever she leads. That said, the songs themselves aren’t coherent in any sense of the word, even if their lyrics are very similar (see: pretentious ‘we hate L.A.’ trash). Instead of annoying me further, these drastic differences in arrangements only serve to showcase Rilo Kiley’s talents. But for crying out loud, enough with the bashing of L.A., people!

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