Posts Tagged: one-x


2
Mar 09

Angels and Devils (2007) by Fuel

Angels and Devils by Fuel

Fuel
Angels and Devils

2007, Sony Records
rock, post-grunge
2½

Fresh from their late 90s-early 2000 heyday with hit single “Hemmorage (In My Hands)”, the loss of lead singer Brett Scallions, rejection by American Idol fave Chris Daughtry, and a nationwide search for a new lead singer, Fuel returned in 2007 fronted by Toryn Green, who just happens to be a disturbingly nasal version of Brett Scallions (as if Scallions weren’t nasal enough). Was he a worthy choice for Fuel to make a ‘comeback’? Yes, and no.

Yes, because he is adequate for Fuel’s purposes. Fuel has never been a band of ingenuity or originality, and that is never clearer than it is in Angels and Devils. When required he can yell and mellow down with the best of them, and his voice is scratchy enough to give the band back its ‘rock cred.’

No, because he has added absolutely nothing new to this album or Fuel itself. I’d even go as far as accusing lead songwriter Carl Bell of lifting lyrics from previous Fuel albums if I could be bothered to search them. But this album is so beyond mediocre that I can’t even deem it a possible guilty pleasure. Not really worth a listen, and definitely not worth a buy.

“Again,” “Angels Take A Soul.”
myspace, last.fm
Three Days Grace’s One-X, Daughtry’s Daughtry

  • Share/Bookmark

16
Oct 07

One-X (2006) by Three Days Grace

Genre: alt metal/post-grunge/hard rock
Rating:
Check Out: “Never Too Late,” “Let It Die,” “One-X,” “Pain”
Official Site, Myspace

Unlike their self-titled debut, Three Days Grace’s One-X is a darker, more complex effort. The days of teenage angst and self-pity aren’t really gone, but the themes explored here are far more adult in nature. There is a melodic undertone that wasn’t present in their first album. Perhaps this is due to the increased production on each of the songs, but it never detracts from their sound.

Most of these lyrical changes are the direct result of Gontier’s fight with Oxycontin addiction, and subsequent rehabilitation. Yet, I have to wonder if there was some strain within the band itself, because “Let It Die” sounds as though it were the case.

These boys haven’t experimented as much as they could have on this album, but they have certainly grown in sound and writing. Here’s hoping that experimentation comes in their next one.

  • Share/Bookmark