Posts Tagged: missy higgins


23
Jun 09

On A Clear Night (2007) by Missy Higgins

missy higgins on a clear night

Missy Higgins
On A Clear Night

2007, Eleven
pop, folk rock
4

In comparison to her debut, Missy Higgins’s sophomore On A Clear Night is cleaner-sounding and more cohesive, but thankfully retains the lyrical intensity that sets her apart from other pop artists. Higgins makes fewer vocal flourishes and settles on basic, simple beats that are easily replicated on the guitar or the piano. This often leads to some very interesting guitar work, as in “100 Round The Bends” and “Angela,” but doesn’t sound much like the almost-naivete of her debut.

One could argue that Higgins’ voice is better suited for a gritty, sexier song but I confess I missed her little quirks throughout this album. However, it seems to be a physical impossibility for Higgins to completely follow the pop trend, so songs like “Peachy” and “Secret” are uniquely her own. Even her take on folk in “Going North” is quaint and memorable. Overall, this is definitely not the same album as her first, but that might be a good thing.

“Where I Stood,” “Going North,” “Warm Whispers.”
myspace, last.fm
Dido’s Safe Trip Home, Gemma Hayes’s Night On My Side

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23
Jun 09

The Sound of White (2004) by Missy Higgins

missy higgins the sound of white

Missy Higgins
The Sound of White

2004, Eleven
piano pop, folk
4½

I came across Missy Higgins through her single “Where I Stood” from her second album. It’s common for me to search for an artist’s first album if I liked their second album, but it’s rare that I then find the first album miles better than the second. The Sound of White is Missy Higgins at her purest, most artistic form. Her voice, her lyrics, and her song arrangements are spotless and infectious to the point where you end up wondering if she could ever outdo herself in consequent albums.

In fact, after hearing her second album, I couldn’t believe it when I heard how prominent the piano is in this album. The lyrics are honest in a way that Andrew McMahon/Jack’s Mannequin fans will enjoy – soul-baring but coy in its subtlety. Her vocalizations are playful and range the blues, pop, soul, and what I like to call “hushed acoustic.” A literal jack-of-all-trades, Higgins’ debut shows her off in a way that American pop producers couldn’t.

“Don’t Ever,” “Unbroken,” “The River.”
myspace, last.fm
Jack’s Mannequin’s Everything in Transit, Sara Bareilles’s Little Voice

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