Posts Tagged: lost in space


16
Oct 09

Give Up The Ghost (2009) by Brandi Carlile

Brandi Carlile - Give Up The Ghost

Brandi Carlile
Give Up The Ghost

2009, Columbia
folk rock
5

It’s been a while since I’ve given a 5-star rating to two consecutive albums from the same artist/band, but Brandi Carlile has made it impossible for me to rate this any less than a 5. I really enjoyed her previous album The Story, but Give Up the Ghost points out all of its faults. In hindsight, Story was far too overproduced and it seemed that Carlile was almost forced to emphasize the cracks in her voice to be heard over it. The barest song on The Story, “Josephine,” cannot compare to Ghost‘s “That Year” in raw emotions.

Carlile hasn’t changed her lyrical material – they’re still strongly introspective and heavy – but her treatment has done a 180. “Dreams” is the most upbeat pop-like song I’ve ever heard from her; Carlile even allows her voice to soften instead of forcing it for each song. Another point of interest, The Story had no collaborations with outside artists while Ghosts did. Yet, even when she is joined in a duet with Elton John in “Caroline,” he sounds more like a backup singer instead of a prominent presence. Overall, this is a cohesive album that allows for a lot more creativity without completely changing what makes Carlile so attractive as an artist.

“Pride and Joy,” “That Year,” “Caroline.”
myspace, last.fm
Eisley’s Combinations,Aimee Mann’s Lost In Space

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24
Jun 09

Fumbling Towards Ecstasy (1993) by Sarah McLachlan

sarah mclachlan fumbling towards ecstasy

Sarah McLachlan
Fumbling Towards Ecstasy

1993, Nettwerk/Arista
piano pop
5

If there is a Queen of Piano Pop, the title would belong to Sarah McLachlan (Piano Pop’s King would be Billy Joel, in my book). I should point out that every single one of McLachlan’s records have sold Platinum+, and she’s yet to release anything that still doesn’t create new fans or satisfy her old ones. What’s her secret? Her lyrics and her ear for pleasing pop (quite honestly, those two factors and the best publicity team ever would be enough to make you a major music star, no matter who you are). McLachlan has a knack for crafting songs that have catchy elements but aren’t catchy to the point where they’re easily forgettable. Prime example is her first single from Fumbling, and arguably one of her most popular songs, “Possession.” Written about obsessed fans of her previous two albums, “Possession” gave the idea of stalking a sensuality that has been often imitated but never bested. “Wait,” “Hold On,” and “Good Enough” are three popular songs with memorably beautiful lyrics. Even the so-called ‘sleeper songs,’ such as “Elsewhere” has their hold on fans of this album; this site’s name ‘awaitstheday’ are lyrics from “Elsewhere.” This was a rejuvenating album for piano pop after the heyday of Billy Joel and pointed 90s pop into a whole new direction.

“Elsewhere,” “Hold On,” “Possession.”
myspace, last.fm
Aimee Mann’s Lost in Space, Bird York’s The Velvet Hour

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18
Jun 09

Night On My Side (2002) by Gemma Hayes

gemma hayes night on my side

Gemma Hayes
Night Is On My Side

2002, Source Records/Astralworks
pop
3½

Hailing from Ireland, Gemma Hayes is another distinctive female voice I’ve recently found. While this album is from 2002 and therefore a bit old, it still has an appeal for those of us who still remember and appreciate 90′s pop and rock. In fact, I found this album based on its single “Back of My Hand,” which is quite possibly the most 90s-sounding track on the record. Listening to the rest of the album revealed country, acoustic, and dreamscape tinges that were appealing but also disappointing.

At the risk of sounding like an American Idol judge, Hayes voice isn’t merely imperfect – it’s pitchy beyond belief. She needs vocal coaching, particularly when she tries to attempt Sheryl Crow’s subtle twang in “Night On My Side” or “Over and Over.” Furthermore, the lyrics are kinda boring. Granted, Hayes has released two more albums since so she’s probably written more songs that actually suit her voice, but from what I can hear this album did not deserve to be nominated for a Mercury Prize, or any prize. It’s well-produced and catchy, but Hayes follows in the footsteps of Aimee Mann in that her voice can be appealing at times but it ultimately detracts from her music.

“Ran For Miles,” “Back of My Hand,” “My God.”
myspace, last.fm
Aimee Mann’s Lost in Space, Provincial Parks’s Iron Ponies EP

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