Posts Tagged: combinations


16
Oct 09

Give Up The Ghost (2009) by Brandi Carlile

Brandi Carlile - Give Up The Ghost

Brandi Carlile
Give Up The Ghost

2009, Columbia
folk rock
5

It’s been a while since I’ve given a 5-star rating to two consecutive albums from the same artist/band, but Brandi Carlile has made it impossible for me to rate this any less than a 5. I really enjoyed her previous album The Story, but Give Up the Ghost points out all of its faults. In hindsight, Story was far too overproduced and it seemed that Carlile was almost forced to emphasize the cracks in her voice to be heard over it. The barest song on The Story, “Josephine,” cannot compare to Ghost‘s “That Year” in raw emotions.

Carlile hasn’t changed her lyrical material – they’re still strongly introspective and heavy – but her treatment has done a 180. “Dreams” is the most upbeat pop-like song I’ve ever heard from her; Carlile even allows her voice to soften instead of forcing it for each song. Another point of interest, The Story had no collaborations with outside artists while Ghosts did. Yet, even when she is joined in a duet with Elton John in “Caroline,” he sounds more like a backup singer instead of a prominent presence. Overall, this is a cohesive album that allows for a lot more creativity without completely changing what makes Carlile so attractive as an artist.

“Pride and Joy,” “That Year,” “Caroline.”
myspace, last.fm
Eisley’s Combinations,Aimee Mann’s Lost In Space

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14
Sep 09

Combinations (2007) by Eisley

eisley combinations

Eisley
Combinations

2007, Warner Reprise Records
indie rock/pop
4½

This may be Eisley’s second album, but it’s the first I’ve heard of theirs. I have to admit that I’m pleasantly surprised. This is a pretty strange analogy to make, but if you could bottle up folk rock, soft pop, and a dash of vaudeville, you’d have Combinations.

Eisley has a haunting quality to their music, vocals, and lyrics that permeate everything from their rock songs like “Invasion” to their sweeter numbers like “Like The Actors.” As the band is essentially a family affair (everyone’s related in some way), the tight delivery and rich vocals should come as no surprise, but I have to admit I envy that cohesiveness. Lyrically, this album is darker than the lighter background would imply, but the contrast is what makes this album that much more appealing.

“Invasion,” “A Sight To Behold,” “I Could Be There For You.”
myspace, last.fm
As Tall As Lions’s self-titled album, Rachael Yamagata’s Elephants…Teeth Sinking into Heart

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