2009


16
Oct 09

Give Up The Ghost (2009) by Brandi Carlile

Brandi Carlile - Give Up The Ghost

Brandi Carlile
Give Up The Ghost

2009, Columbia
folk rock
5

It’s been a while since I’ve given a 5-star rating to two consecutive albums from the same artist/band, but Brandi Carlile has made it impossible for me to rate this any less than a 5. I really enjoyed her previous album The Story, but Give Up the Ghost points out all of its faults. In hindsight, Story was far too overproduced and it seemed that Carlile was almost forced to emphasize the cracks in her voice to be heard over it. The barest song on The Story, “Josephine,” cannot compare to Ghost‘s “That Year” in raw emotions.

Carlile hasn’t changed her lyrical material – they’re still strongly introspective and heavy – but her treatment has done a 180. “Dreams” is the most upbeat pop-like song I’ve ever heard from her; Carlile even allows her voice to soften instead of forcing it for each song. Another point of interest, The Story had no collaborations with outside artists while Ghosts did. Yet, even when she is joined in a duet with Elton John in “Caroline,” he sounds more like a backup singer instead of a prominent presence. Overall, this is a cohesive album that allows for a lot more creativity without completely changing what makes Carlile so attractive as an artist.

“Pride and Joy,” “That Year,” “Caroline.”
myspace, last.fm
Eisley’s Combinations,Aimee Mann’s Lost In Space

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15
Oct 09

Tonight: Franz Ferdinand (2009) by Franz Ferdinand

tonight: franz ferdinand

Franz Ferdinand
Tonight: Franz Ferdinand

2009, Domino/Epic
indie rock, dance-punk
3½

Here’s a lesson for you, kids: two decent songs do NOT a good album make. It seems Franz Ferdinand has yet to learn this lesson, as Tonight sounds just like their other two albums. If you believe the end justifies the means, then it probably doesn’t matter to you that this album was obviously just a way for them to ensure a paycheck. But as a consumer and an amateur critic (oh please, I ain’t big enough to drop the ‘amateur’… yet), I’m highly disappointed. If I wanted dance from a supposedly indie alt rock band, I’d be listening to Muse with the rest of the Twilight Nation. In fact, Muse at least had the sense to be so overtly dramatic that they would be impossible to resist – Franz Ferdinand just brings back memories of their first hit in “Ulysses” and “No You Girls,” creeps me out with “Dream Again,” and then puts me to sleep with the rest. It’s a catchy album but not worth your money or your time.

“Ulysses,” “No You Girls.”
myspace, last.fm
AFI’s decemberunderground, The Cinematics’s A Strange Education

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14
Oct 09

Ray Guns Are Not Just The Future (2009) by The Bird and The Bee

ray guns are not just the future the bird and the bee

The Bird and The Bee
Ray Guns Are Not Just The Future

2009, Blue Note Records
electronic, indie pop
4

The Bird and the Bee seem like yet another artsy duo attempting to find success in the indie pop field with their second album Ray Guns Are Not Just The Future; even the title of their album is appropriately off-beat to fit that image. But the songs on Ray Guns are rather simplistic instead of esoteric, both in lyrics and in beats. Yet even those lyrics and beats are haunting enough to be memorable, and it’s that catchiness that really carries this album – see “Love Letter to Japan.” I do have to applaud them for subtle jazz influences and the fact that lead vocalist Inara George’s voice is great when she’s singing or speaking. Hey, let’s face it, a good singer doesn’t necessarily know how to pull off a chant or even sound good when they’re not singing, but George does.

“My Love,” “Meteor,” “Diamond Dave.”
myspace, last.fm
Moonbabies’s War on Sound, Stephanie Dosen’s A Lily for the Spectre

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