2008


18
Sep 09

We All Left Something Behind EP (2008) by The Motel Life

we all left something behind the motel life

The Motel Life
We All Left Something Behind EP

2008, UNSIGNED
indie rock, emo
4

Even though they hail fom Ontario, CA (California, not Canada), The Motel Life have a decidedly East Coast sound to them. I hear a lot of influences from As Tall As Lions, Brand New, and even some Canadians in there. That’s both a good and a bad thing, as it’s a bit hard to distinguish influences from the band’s true sound.

However, The Motel Life has some pretty intense lyrics that indicate this group is far more mature than any other two-year-old unsigned band out there. And when those lyrics are infused with vulnerable vocals from lead singer Michael Escanuelas, you’ve got a winner on your hands. I’m looking forward to more from these guys in the future, because they are definitely here to say.

Note to the band if you’re reading this: Thinking “I’ll Find Myself Another State” is similar to the Plain White T’s “Delilah” is sacrilege. Plain White T’s should be honored because that’s more praise than they deserve.

“I’ll Find Myself Another State,” “Presale,” “Ghosts.”
myspace, purevolume
Provincial Parks’s Iron Ponies EP, Annabel’s Now That We’re Alive EP

Disclosure: A free copy of this EP was provided by Nick Camacho of the band. You can now download it for free yourself – check out their myspace! Please see my review policy for more info.

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21
Jun 09

Elephants…Teeth Sinking Into Heart (2008) by Rachael Yamagata

rachael yamagata elephants teeth sinking into heart

Rachael Yamagata
Elephants… Teeth Sinking Into Heart

2008, Warner Bros.
pop, acoustic, blues rock
4½

In an interesting turn of events, Rachael Yamagata’s sophomore album is split into two distinctive style and records. The first, Elephants, is similar to her debut Happenstance in that it is filled with dark, moody ballads, while the second, Teeth Sinking Into Heart, has a harder rock sound and a faster tempo. Yamagata’s gritty contralto of course shines poignantly in Elephants, but the true surprise is that her voice is actually better suited to the harder Teeth. Yamagata could have easily pacified her fans and created new listeners had she simply released Elephants, but Teeth… was a brilliant move on her part. Each song on the second record is just as carefully written, constructed, and sung as the songs in the first, but the second record reveals a nearly unbridled Yamagata; she almost sounds like Pink in “Faster.” Teeth is so good, I wish it were longer – but I’ll have to content myself with waiting for her third album.

“Accident,” “Duet,” “Faster.”
myspace, last.fm
Stephanie Dosen’s A Lily For the Spectre, Catherine Feeny’s Hurricane Glass

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8
Jun 09

19 (2008) by Adele

adele 19

Adele
19

2008, XL/Columbia Records
pop soul
4

Considering that Adele won the Grammys for Best New Artist and Best Female Pop Vocal Performance for “Chasing Pavements,” reviewing 19 seems almost trite. But this month’s theme focuses on the female voice, and I really think Adele fits the bill as one of the most unique female vocalists today. While she’s been compared to Amy Winehouse and the more recent Duffy, Adele stands out for her age and her phrasing. Winehouse and Duffy are far more traditional in their vocalizations, seemingly copying past talents like Etta James without actually varying their techniques, while Adele has a blatant pop sensibility in her voice. As a debut album, 19 definitely deserved its due praise, but something about this album sounds unfinished. I’d like to see something unexpected from her – with her voice, it’s sure to blow us all away.

“Hometown Glory,” “Daydreamer,” “Chasing Pavements.”
myspace, last.fm
Star’s Heart, Martha Wainwright’s I Know You’re Married…

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