5 stars


16
Oct 09

Give Up The Ghost (2009) by Brandi Carlile

Brandi Carlile - Give Up The Ghost

Brandi Carlile
Give Up The Ghost

2009, Columbia
folk rock
5

It’s been a while since I’ve given a 5-star rating to two consecutive albums from the same artist/band, but Brandi Carlile has made it impossible for me to rate this any less than a 5. I really enjoyed her previous album The Story, but Give Up the Ghost points out all of its faults. In hindsight, Story was far too overproduced and it seemed that Carlile was almost forced to emphasize the cracks in her voice to be heard over it. The barest song on The Story, “Josephine,” cannot compare to Ghost‘s “That Year” in raw emotions.

Carlile hasn’t changed her lyrical material – they’re still strongly introspective and heavy – but her treatment has done a 180. “Dreams” is the most upbeat pop-like song I’ve ever heard from her; Carlile even allows her voice to soften instead of forcing it for each song. Another point of interest, The Story had no collaborations with outside artists while Ghosts did. Yet, even when she is joined in a duet with Elton John in “Caroline,” he sounds more like a backup singer instead of a prominent presence. Overall, this is a cohesive album that allows for a lot more creativity without completely changing what makes Carlile so attractive as an artist.

“Pride and Joy,” “That Year,” “Caroline.”
myspace, last.fm
Eisley’s Combinations,Aimee Mann’s Lost In Space

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16
Sep 09

Beggars (2009) by Thrice

Beggars Thrice

Thrice
Beggars

2009, Vagrant
alt rock, post-hardcore
5

If I were to crown any modern band as Most Surprising With Every Album They Put Out, Thrice would be it. Listening to their earlier albums, one doesn’t expect anything remotely close to brilliance from them. Yeah, they’ve always had a great sound and yeah, their lyrics have always been rife with meaning (unlike most so-called ‘rock’ bands), but I’ve been so disappointed before that it’s hard for me to actually hope for something great anymore. Thrice did that with Vhiessu, then The Alchemy Index, and now with Beggars.

Lyrically, this is the strongest that Thrice has ever been, and that’s really saying a lot considering how lyrically evolved Alchemy Index was. I really urge you to Google the lyrics for the album and just read through them before you listen to the music. It will give you a whole new perspective on the band and on the album. Vocally, lead singer Dustin Kensrue pushes his limits, which is a FIRST – listen to “Wood & Wire” and “At The Last.” As a band, their music is continually evolving, turning more melodic with each record than remaining in the same post-hardcore rut. This is a revelation and a whet to the aural appetite, all at once. I want these guys to be making records for the rest of eternity if we expect pleasant surprises like this one.

“At The Last,” “Doublespeak,” “Wood & Wire.”
myspace, last.fm
Brand New’s The Devil and God…, The Receiving End of Sirens’s The Earth Sings Mi Fa Mi

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25
Jun 09

Tidal (1996) by Fiona Apple

fiona apple tidal

Fiona Apple
Tidal

1996, Clean Slate/Work
alt rock, soul
5

I’ve mentioned before that my musical education pop began in 1997. Well, I still remember the single “Criminal” from that time as one of the songs that really shaped my musical tastes, and my recent ‘rediscovery’ of this album only makes me appreciate Fiona Apple that much more.

If one were to really describe Apple’s voice, I’d say she is the vocal child of Jane Monheit and Grace Slick with double Slick’s charisma. The strength of vocal delivery despite the fact that she doesn’t have the typical pop voice, and the astonishing array of styles she shows in Tidal indicates a pop star in the truest sense of the term: a vocalist who can convincingly inhabit and deliver every song she sings, regardless of lyrics or style. The fact that the lyrics to this album are just as respectable as her vocal ability set aside Apple as a star to begin with. It’s too easy to swim aurally through this album and not even realize that you’re listening to distinct songs. If there’s any album from this month’s set of reviews that you must listen to, it is this one.

“Sleep to Dream,” “Never Is A Promise,” “The First Taste.”
myspace, last.fm
Bird York’s The Velvet Hour, Stephanie Dosen’s A Lily For The Spectre

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