brandi carlile


16
Oct 09

Give Up The Ghost (2009) by Brandi Carlile

Brandi Carlile - Give Up The Ghost

Brandi Carlile
Give Up The Ghost

2009, Columbia
folk rock
5

It’s been a while since I’ve given a 5-star rating to two consecutive albums from the same artist/band, but Brandi Carlile has made it impossible for me to rate this any less than a 5. I really enjoyed her previous album The Story, but Give Up the Ghost points out all of its faults. In hindsight, Story was far too overproduced and it seemed that Carlile was almost forced to emphasize the cracks in her voice to be heard over it. The barest song on The Story, “Josephine,” cannot compare to Ghost‘s “That Year” in raw emotions.

Carlile hasn’t changed her lyrical material – they’re still strongly introspective and heavy – but her treatment has done a 180. “Dreams” is the most upbeat pop-like song I’ve ever heard from her; Carlile even allows her voice to soften instead of forcing it for each song. Another point of interest, The Story had no collaborations with outside artists while Ghosts did. Yet, even when she is joined in a duet with Elton John in “Caroline,” he sounds more like a backup singer instead of a prominent presence. Overall, this is a cohesive album that allows for a lot more creativity without completely changing what makes Carlile so attractive as an artist.

“Pride and Joy,” “That Year,” “Caroline.”
myspace, last.fm
Eisley’s Combinations,Aimee Mann’s Lost In Space

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10
Dec 08

The Story (2007) by Brandi Carlile

Genre: folk rock
Rating:
“Again Today,” “Josephine,” “Losing Heart,” and “The Story.”
myspace, last.fm
Catherine Feeny’s Hurricane Glass, Amy Macdonald’s This is the Life

With a voice that evokes comparisons to Melissa Etheridge and Stevie Nicks and songs that are richly lyrical, it’s little wonder that I fell in love with Brandi Carlile at first listen. She is truly a ‘voice of a generation,’ even if that generation could be better compared to the 1970s than the early 2000s. Regardless, I found myself moved not only by her mastery of her vocal talent, but by the underlying hint that she doesn’t take herself as seriously as most female singer/songwriters do.

This album, in itself, is a dream. Most of the songs have to do with lost love, but even those songs are versatile enough to apply to nearly anything in life. What’s also surprisingly versatile is Carlile’s voice. Etheridge and Nicks are better known for their screams and voice, respectively, but Carlile carries a harmony like no one’s business and manages to do it well. Had she imitated Catherine Feeny and kept her voice at a monotone, this album would have surely suffered for it. But she doesn’t seem capable of it, so songs that should be boring are rich with life. This is yet another amazing discovery in the ever-changing folk rock scene of today.

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